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THE 2016 LUGNUT LIST


The annual Lugnut List is my favorite material from the 380 submissions I received during the past calendar year. It is not an attempt to compete with any other list. It's just for fun and to potentially give the authors more exposure.

If you're a writer on the list and want anything edited (or spot a mistake) please email me at screenplaymechanic@gmail.com

If you're an interested agent, manager, or producer and I don't already know you, email me and I'll connect you with the writers.

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TOP 10 FEATURE SCRIPTS:

ILAND by Jesse Chatham (Drama)
After her husband and son are murdered in a mass shooting at a shopping mall, a devastated lawyer decides she wants to disappear off the grid and have no human contact, so she buys 200 acres in Wyoming and learns how to fend for herself and live off the land.

THE PAPER-MAKER'S DAUGHTER by Jacob Coakley (Sci-Fi / Fantasy / Adventure)
Held captive in 19th-century London, a young Japanese woman—made entirely of paper—yearns to be free to return home. But when she escapes the clutches of the sinister Commander of the Royal Air Fleet she finds herself embroiled in a larger struggle between humans and mechanicals, and has to help free them all before she can be free herself.

RISING TIDE by Tim Drain, Don Millar and Eric Hogan (Drama / Thriller)
Skeptical and disillusioned with his first job at a tabloid website, a young journalist breaks a story about a corrupt oil company burying what they knew about climate change, then quickly finds himself in over his head, and in the crosshairs of the big oil machine.

GAME SET SCRATCH by Billie Bates (Sports / Comedy)
After relocating to a small town in Illinois from New York for her husband’s new job, a mother of two is desperate to find some friends so she joins a tennis club and soon develops a passion for the sport, or rather a determination to beat a snooty rival.

REUNION by John Biolsi (Comedy / Drama)
A group of people in their late 20s gather together for their 10-year high school reunion and, needless to say, it’s an evening of cat-fighting, bad memories, and social dysfunction.

HAUNTING AT 1600 by Asabi Lee & Paul Hart-Wilden (Supernatural Thriller)
The newly-inaugurated President and her family are haunted by vicious spirits in the White House, forcing her to dig up the dark truth about one of the biggest lies the White House has ever told. Inspired by True Events.

THE PAPER TIGERS by Tran Quoc Bao (Martial Arts / Action)
When their old Kung Fu master dies under mysterious circumstances, three estranged friends, despite being terribly out of shape and washed-up as fighters, must reawaken their abilities to find the killer and restore their master’s honor.

S.O.S. (Ship Of State) by Eric Henry, Bruce Todesco, & Paula Landry (Action Thriller)
A billionaire philanthropist uses his technological prowess to locate a large group of school girls abducted by Boko Haram, something the world’s intelligence services are unable to do, but when it becomes clear the CIA have no intention of launching a rescue mission he’s forced to take action himself.

JIHAD by Paul Erskine (Wartime / Thriller)
Three radicalized British teenagers travel from London to Syria so they can fight for ISIS, but shortly after their arrival in the city of Al-Raqqah they’re split up and realize they’ve made a grave mistake.

DISEMBARK by Peter Alexander (Sci-Fi Thriller)
Two scientists purposely release a swarm of deadly flesh-eating microscopic robots aboard a cruise ship, to expose the danger of the project they were working on, but they didn’t count on a handful of survivors, including a tough female ex-con who was using the cruise to try and reconcile with her young daughter.

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TOP 3 TV SCRIPTS:

OASIS "Subversives" by John Covarrubias (Crime Drama)
Set in 1952, an uptight FBI agent is sent on assignment to the famously private and depraved town of Palm Springs, where he poses as a real estate developer to track down a Russian spy living among Hollywood stars, corrupt politicians and deadly gangsters.

CRUSHED by Jill Hoppe (Drama)
When the beloved founder of a world-renowned winery retires because of health problems, his children inherit not only a multi-million dollar business but also one dead body and a legacy of dark family secrets they’re now required to protect.

THE TWIST by George Gier and Emmett Overbey (Sci-Fi / Thriller / Drama)
A washed-up TV producer convinces a network to put his new, revolutionary idea for a show on the air and it’s an instant hit, but the first-person POV imagery from 1962 is actually the tapped memories of a cryogenically frozen man who is accidentally brought back to life during a power surge.

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As always, here's a few honorable mentions. I can't list everyone, so please don't be upset if you didn't make the list. There were many other screenplays I enjoyed reading, clients I'm a fan of, and plenty of cool ideas, some of which simply needed more development.

GARGOYLE by Victoria Rau and Brendon Udy
BAD ASS SOLDIER by Steven P. Goodin
LEOPARD by Thivanka R. Perera
SAVAGE by Luke Randall
PAYNESVILLE by Matthew Peek & Cameron Ford
ROUGH EDGES by Evan Laughlin
PROMISE AND THE PENITENTIARY by G. Cameron Greve
TRUE WEST by Tom Groneberg
DISPOSE by Jay Rodriguez
DEATH IS MY PLAN B by Roberto Bentivegna
FASCINATION 127 by Alex Carl
LOVE AT WAR by Noella Borie
ROOFTOP by Simon Paniora
JACQUELINE / HYDE by Matthew Bryan
PAWN'S GAME by Tom Lewis
CHARON'S PASSAGE by Ken Thomas
THE BASTARD OF ROBERT E. LEE by Aaron Benjamin
ANATOMY OF A BREAKDOWN by Greta Heinemann
ACHILLIA: THE GLADIATRIX by Nicol Eilers
MUMMY'S BOY by Stewart McDonald

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Every year, people ask how many "Considers" I award. I use four recommendations in my coverage:

Consider (solid execution, strong idea. definitely worth reading)
Consider w/ reservations (good concept and/or strengths in execution)
Pass w/ reservations (a pass but there are some positives)
Pass (needs significant work or concept is weak)

This year I gave less than 5 full considers out of 380.

As always, thank you to all my clients for trusting me to read your work...